Below is a list of indicative sound studies readings.

Bartmanski, D. & Woodward, I. (2013) Vinyl: The Analogue medium in the age of digital reproduction, Journal of Consumer Culture 0(0), (p. 1-24), Sage.

Bruxner, B. (2015) Mastication rage’: a review of misophonia – an under- recognised symptom of psychiatric relevance? Available at; https://doi.org/10.1177/1039856215613010 (Accessed 15.02.19).

Cascone, K. (2002) “The Aesthetics of Failure”, in Computer Music Journal 24:4, MIT Press.

Christopher, R. (2019) Dead Precedents: How Hip Hop Hacked The Future. Available at: https://thequietus.com/articles/26205-dead-precedents-repeater- books-roy-christopher-extract (Accessed 29.03.19).

Kirn, P. (2018) A look at AI’s Strange and Dystopian Future for art, Music, and Society, CDM Webstite, Available at; http://cdm.link/2018/06/a-look-at-ais-strange-and-dystopian-future-for-art- music-and-society/ (Accessed 09.07.2018).

Pitchfork Media. (2016) The 50 Best Ambient Music Albums of All Time. Available at; http://pitchfork.com/features/lists-and-guides/9948-the-50-best- ambient-albums-of-all-time/?page=5 (Accessed at 30.03.2019)

Popp, M. (1996) Popp Music – Oval, Microstoria, and the man behind their curtains: Markus Popp in interview with Marc Weidenbaum (originally from Pulse magazine December 1997 issue). Available at; https://disquiet.com/1997/08/15/popp-music/ (Accessed 11.11.18).

Richardson, M. (2015) “A Glitch in Time: How Oval’s 1995 Ambient Masterpiece Predicted Our Digital Present”, Pitchfork, 5th of October 2015, Available at https://pitchfork.com/features/resonant-frequency/9730-a-glitch- in-time-how-ovals-1995-ambient-masterpiece-predicted-our-digital-present/ (Accessed: 20.11.15).

Roads, C. (1988) ‘Introduction to Granular Synthesis’, Computer Music Journal. MIT Press 12(2), (p.11-13.)

Russolo, L. (1913) The Art of Noise, Pendragon Press, New York. Sangild, T. (2002) “The Aesthetics of Noise”, DATACOM.

Shaviro, S. (2005) Attali’s Noise. Available at http://www.shaviro.com/Blog/?s=attali (Accessed 15.6.16).

Tavana, A. (2015) “The Democracy of Sound: Is GarageBand Good for Music?”, Pitchfork Media, Available at; https://pitchfork.com/features/article/9728-democracy-of-sound-is- garageband-good-for-music/ (Accessed 03.04.2019)

The Sound and the Fury: A Century of Music, Wrecking Ball (2013), BBC4, Broadcast 27/09/13, 19:30pm.

Taylor, C. (1984) Noise is OK, Semiotica, vol. 52, no. 3/4, De Gruyter Mouton

Watson, K. (2018) Has it all gone Pete Tong for Electronic Dance Music, Available at; The Guardian Online, https://www.theguardian.com/music/2018/may/27/electronic-dance-music- edm-has-it-all-gone-pete-tong-sales-plateau (Accessed 25.08.18).

Westerkamp, H, Soundwalking.” In Autumn Leaves. Sound and the Environment in Artistic Practice. Edited by Angus Carlyle. Double Entendre, 2007, pp. 49–54. ISBN: 9780954807436. 

Young, R. (2005) “Don’t Sleeve Me This Way”, The Guardian Newspaper (2005) 14th of February 2005, Available at: https://www.theguardian.com/music/2005/feb/14/popandrock (Accessed: 18.06.2015).

Zareei,M. H., Kapur, A., Carnegie, D.A.(2013) Noise on the Grid: Rhythmic Pulse in Experimental and Electronic Noise Music, International Computer Music Association, Available at; https://quod.lib.umich.edu/i/icmc/bbp2372.2013.079/1/–noise-on-the-grid- rhythmic-pulse-in-experimental?page=root;size=150;view=text (Accessed 10.03.2018)